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Hello from me and Burroughs! Posted some pix on the Hamsters LJ Community. For more hamster hijinks click here. (Those who are rodent-averse need not apply.)
A music appreciation blog of sorts. Books, films, comics, hamsters and other related subjects may also be discussed.
“I'm in the process of developing two stories,” Arnold tells us. The first is Martial Law Babies, “a coming-of-age story about a group of 30-somethings. We follow the lives of the characters, from their childhood memories to a present-day setting. It's a very personal story, and it came to me during one of those conversations with college friends over coffee. I also wanted to tackle some issues like where have our peers gone, what did they become? Why are we losing more and more talented people to first world countries? What role do we play in society? And aren't the younger generations getting better breaks in terms of work since they're adept in technology and from our perspective, more pampered?So I guess in a way another take on the title is that of us being trapped, we're under Martial Law so to speak. It's nearing completion, so hopefully we’ll get to see it in printed form sometime soon.”
The second project in the works is “another fantasy story, a different take on Filipino myths. The story is geared towards a younger audience, which I find to be a challenge since it's very new to me. In a nutshell, there is a worldwide organizing body of magic and myth holding friendly competitions for all creatures, gods, folklore beings and characters. Imagine an Olympics for the world of magic. Our delegates are a hodgepodge of troubled characters trying to band together as one team-a problematic tikbalang, a rebellious kapre, and several others being led by the team captain, a mambabarang who tends to be misguided in her decision making.”
"Like his home, Mikko Sison seems fairly normal at first. When I meet him, he is wearing a smart pair of glasses, a neat white shirt, pants with a subtle checkered pattern, dark brown suede shoes and an easy smile: the overall impression is that of a friendly, casually stylish intellectual. He’s pleasant and a little upscale, just like the brick-and-concrete façade of the two-story row house he is renting in Ecology Village, Makati City. And just like its inhabitant, the house may look perfectly respectable on the outside, but it harbors strangeness within."
When Jason Reitman, who'd made a name for himself with 2006's Thank You for Smoking, read the script for Juno, he scrapped plans to direct his own project to work with Cody instead. ''When I think of the response to Diablo and her screenplay,'' he says, ''the only person I can equate it to in recent history is Tarantino, that kind of overwhelming excitement about a fresh new voice.'' But the movie would have imploded fast without the right actress in the title role. Enter the impressive Hard Candy actress Ellen Page, who, Cody believes, beautifully embodies her wry, tough-talking, secretly tender main character. ''It would have been really heartbreaking to meet Ellen if she was like, 'Oh, hey, wassup?' while talking on a rhinestone-encrusted cell phone,'' says Cody. ''But she's so cool, she scares the s--- out of me. She is Juno.''
"I'm f---ing sick of actors!" declares Cody, stabbing the lime in her third vodka soda. "They look airbrushed in reality. I swear Jennifer Garner has to be bathing in the blood of virgins because she has the most beautiful skin that I've ever seen on a human being. The boys too! I met Brandon Routh from Superman last year. He looks like a special effect. He's too beautiful to live. And actors are all tiny people. Why is that? I'm a hulk compared to them! If you look at pictures of me with actors, I look like I ate them all."
I had a really interesting meeting a couple of years ago with some of the [chief information officers] of Danish ministries. We sat down to talk about data interoperability and document retention. Document retention's a really thorny one, because hard drives are cheap, and governments don't really understand why they shouldn't just save everything. Who knows when it will be useful? I started to talk to them about this, and a gentleman put his hand up and said you know, you may need to talk to people in other countries about this, but you don't need to talk to the Danes about this.
Because after the Nazis occupied Copenhagen, they went down to the police station and got from the files all the addresses of the people they wanted to round up and stick in boxcars, and they took them away. We don't retain anything here. As soon as we're done with it, we throw it away because we understand that you can't always predict how information will be used, and the only way to ensure it's not misused is to get rid of it when you're done with it.
I think it's important to note here that what makes Google Google, what makes them such a good target for this stuff, is that they make the best search product on the market. They are so important to all of our lives that it's vital that we start thinking about what they mean and how they work, and what it could mean to have that much power concentrated into just a few hands. And what will happen down the road if the company's culture changes.