Woke Up Like This

All I ever seem to dream about these days is the houses I used to live in, and the mother I lost.

What I Would Like

I would like to die soon.

Before my eyesight fades completely, before I become a complete burden to others, and before I disappoint any more people, I would like to leave. In my sleep, preferably (as if one could choose these things), like slipping into a dream, or rather, not waking up from a dream at all.

I don't think I can do it by my own hand, as much as I've thought about it in the past and especially recently. (Though it would be easy; my allergies are so extreme all I would need would be a handful of over-the-counter painkillers.) I'd rather not leave my family with that particular weight.

I don't think I'm going to be able to write the books I wanted to before I die, so I might as well go now, while I'm still a fairly independent, semi-functional human, before anyone else wastes any more time and effort on me. I don't know how I can make this happen though. Again, how does one choose these things, aside from straight-up suicide?

Maybe I'll get lucky.

It's funny, last night's dream was a positive one. I was back in my old room in Lola Cil's house in UP Campus, and I had finally cleaned up my huge heavy desk and I felt like I was starting with a clean slate, and ready for anything. It was a good feeling. Perhaps it's a preview of the afterlife. Perhaps dying is clearing your desk and getting ready for what's next.

I think I need more sleep.

The Strange

Last night I finished reading The Strange Library, Haruki Murakami's latest book (or at least the latest to be translated into English). I don't believe I've finished a Murakami since After Dark, all those years ago; of course, this one is so short that it takes less time to read than some short stories. (After Dark itself was one of his shorter novels; it seems it's been a while since I lost myself in a massive Murakami, though I remember my experiences with Wind-Up Bird and Norwegian Wood and especially Hard-Boiled Wonderland very fondly.) The illustration above was taken from the UK version, which seems to have nicer visuals all throughout than the US version designed by Chip Kidd (though admittedly the UK cover is uninspired). The vaguely annoying "oriental" imagery that always seems to accompany US Murakami releases (with the happy exception of the original hardcover edition of The Wind-Up Bird Chronicle) plagues this one too. Not for the first time, I found myself wondering if Kidd is overrated, or perhaps just overworked.

As to the story itself, it was worth reading, though it will probably not stick for very long in my memory. The most affecting part of it was the last page, a sad sort of epilogue. This is not one of those uplifting fables to be given to teenagers upon graduation (this is a good thing, by the way).

I began this entry with some purpose in mind, but now feel my mind wandering, led astray by distractions. There was something there I wanted to say about childhood, and misfortune, and books, and mothers, and memory. But I am distracted by other voices, and by various aches and pains and worries. The past couple of weeks have not been easy; work has been more demanding than usual and my health more of a concern than usual. I find myself thinking, again, about how much longer I have.

I have trouble getting up, walking around, navigating stairs, breathing. Sessions with the doctor bring relief, but so far the relief has been temporary. We're increasing the frequency of the visits however and perhaps that will help. I dream of working my way back to a state of relative normalcy, but it seems like such a faraway dream, sometimes.

Perhaps for this reason, I find myself thinking a lot about childhood. Reading The Strange Library made me think, not of the libraries of my youth, but the malls I spent so much time growing up in. Specifically MCS, which is strange and labyrinthine in its own way. I may have to write a book about it someday, something akin to Downtown or Neverwhere, but different... (Virra Mall will require an entirely other volume to itself.)

The Reader Who Mattered The Most

It's been almost half a year since my mother passed away, and I just now realized something. The only person who read everything I had ever written -- from grade school scribblings to high school essays to published stories to my first book to my columns for the Bulletin and the Star and articles for Esquire -- is gone. I will never get a text from her again telling me that she enjoyed a particular Friday's column, or my latest short story. My best reader (and, quite frankly, the most knowledgeable, exacting editor I ever knew) is no longer a phone call or a car ride away.Of course that loss is little compared to the loss of the woman who birthed me and raised me and loved me. But it is all part of one great loss. 

The one reader who matters the most to me is gone. I'm kind of surprised that the belated realization hasn't destroyed any notion I have of writing another story, much less another book. Perhaps that point of despair will come later, when it really sinks in. (Does it ever really sink in? Or is it just reminders out of the blue, just quick and lingering stabs, until it's my turn to go?) Or, perhaps, deep down I really must believe in some sort of afterlife, because I still feel that my continuing to write to the best of my abilities will in some way reach her, and, once again, make her proud.

Views on Toys

Tonight I was reminded (via a Facebook friend's update) of one of the few toys from my childhood that I truly enjoyed. I never had very many toys; since I started reading everything I could get my hands on at the age of three, most of the gifts I got from that point onwards were in the form of books. Which was the way I wanted it, really.

But once in a while, I got something like the side-scrolling Scramble video game from Tomy, or this: a Peanuts View-Master set. (From the Plaza Fair department store in Makati Cinema Square, I believe... Thank you, Mom.) I can't find an image online of the actual set I had -- It was a big round can which contained the View-Master and an assortment of reels, with an orange rubber lid. I can still remember the feeling of peeling off the lid, the slight escape of air, every time I wanted to get at the toy inside and click through those amazing little 3D images of my favorite cartoon characters engaged in familiar adventures. It was great.

I know I'm prone to nostalgia by nature (Nostalgia By Nature: that was my rap group in the 90s), but I seem to be recalling childhood possessions with greater clarity, or at least sharper feeling, lately. I know why, of course: it's another way of remembering my Mom, who basically chose these toys for me (sometimes assisted by my endless wheedling). Aside from the Peanuts View-Master set, she also got me the two-volume slipcase of Origins of Marvel Comics/ Son of Origins by Stan Lee (and Kirby and Ditko etc.). Not a toy, but who knows how I might have turned out without that immortal work of literature plugged into my brain at such an early age?

In principle, I don't think parents should lavish toys and gifts on their children, even if they can well afford it. When, like absolutely every other Filipino child my age, I asked for the big Voltes V toy with the five different ships that could be plugged together to form one giant robot, my Mom explained to me that it was so ridiculously expensive that they would never get it for me -- even if we won the lottery the next day, and could theoretically buy a hundred of them. It was just priced too high for a toy. That was a good lesson to shatter my mind with early on.

In the future, perhaps each child in each family will have the tools, digital and otherwise, to construct their own playthings without recourse to rapacious corporations. It could happen, a 21st century version of using your imagination and a cardboard box and/or a stick, or pieces of paper.

Still, I can't help but feel grateful for the few well-chosen toys I had, far between and few enough for me to appreciate them, and of course, above all, for the woman who chose and gave them to me. It may have been the least of the countless kindnesses she bestowed on my life, but thanks, Mom.

A Sunny Morning at Mom's

I dreamed about my mother still young and beautiful and alive, and almost immediately, in the dream and in real life, I started crying uncontrollably, and then I woke up. The phrase "tears on my pillow" never had any lasting literal truth for me before this year.

I don't miss her every minute of every day, but the moments when I feel the loss come like gunshots, sudden and messy and undeniable in their impact.

Anyway, it was the endpoint of a long dream sequence that involved me being in Mick's townhouse (!) to help welcome Bobby back from the airport. This welcome back turned into a big house party which turned into a morning after, with Mick and everyone too asleep or hungover to help me home. And so I had to fight my way through streets and streets of soldiers and bus-riding mutants, Mad Max-style, just to get back to my place, which was in UP Village. (I remember Shinji Manlangit, of all people, handing me a laser rifle to help me make it through.) There was an army of people singing parody songs. There was a cult who had devoted themselves to making a warped version of Esquire Philippines, issue by issue. Yes, really.

And at the end of all this nutty chaos, Mick picked me up at home, and we went on a weekend morning to where my Mom was living, in a beautiful house with a swimming pool and a sala suffused with sunlight. Mom was sitting up on a daybed, and I had been bantering with Mick, and I turned to Mom to good-naturedly request that she berate Mick for making fun of me, and then I saw Mom so young and beautiful and alive and I immediately started crying, in the dream and in real life, and I woke up and here I am.

I love you forever, Mom.

The Next Book

We don't need any new books, do we?

I used to go to Booksale about, oh, twice or thrice a week. Ever since the most recent deterioration of my eyesight -- thanks to the side-effect-laden BP meds prescribed by the sour-endocrinologist-I've-since-stopped-seeing -- I've had to give that up. I can still see the "low-hanging fruit" -- the big coffee table titles in the display window, the books stacked in front or on top of the bins -- but I can't really dig the way I used to, can barely see the spines, much less catch an attractively type-designed title from a distance.

I guess that's okay. I have too many unread books as it is. Of course I miss it though. It was a fairly reliable source of joy, and you need at least two or three of those in life to keep going, I think.

Writing is still -- or can be -- a joy. I suppose my books might be the most enduring things I will produce in this life. The thought of making more still pleases me, on the whole.

And then I think of the people for whom new books are just an excuse to hate or tear down or make themselves feel better by comparison, and I wonder, "Why bother?"

We don't need any new books, do we? Especially if they just end up being targets or paperweights.

But I can't help but still be excited about the idea of new or newly-discovered books. I now enjoy browsing through Amazon (not a great substitute for Booksale, but still). I look forward to the new Jonathan Carroll or Murakami, even if I haven't finished a Murakami since After Dark.

I still want to write things that at least people I love and respect will appreciate (and that might reach a susceptible stranger or two). There may be no point to it, ultimately, but for now, it's still something I want and try to do. And with the two new stories I finished this year, I think I finally have enough for a third book. So that's something. Or at least it's not nothing.

(Above: Possible cover study for my next book. Photo by Kidlat de Guia. Sadly, the blurb is bogus.) 

You Should See a Doctor

You should see a doctor.

You should see a doctor who will listen to you, and not just tell you what to do. You should see a doctor who will explain to you what is happening to you, clearly and without jargon, condescension, or judgment.

You should see a doctor who will not just look at your tests and then barrage you with drugs to get your numbers down. You should see a doctor who will not insist on surgery without informing you of all the dangers and exhausting other possibilities. You should see a doctor who will not ignore your stories about how the meds or the procedures aren't working for you, and in fact seem to be making you worse. You should not see a doctor who seems profoundly unhappy about being a doctor.

You should see a doctor with an open mind, who has experience and confidence but not overconfidence. You should see a doctor who treats you like a person and not just another appointment.

You should see a doctor who, first, does no harm, and then, second, actually helps people. That's what they're supposed to do.

This House is Not Your Home

I think my deep-brain might really be trying to tell me something. Just woke up from another dream of leaving: once again, I was in my old room in UP Campus, with the pale yellow walls and the window view; once again, I was packing my things in preparation for living somewhere else. That's at least the third time this week, and it's entirely possible I've had the dream every single night, since I usually forget sleep-dreams. (Although last night's dream was about my cat having a kitten. But maybe it was a chaser-dream or a double feature.)

Things I recall coming across in the dream: my Lola Cil's hardcover, first-print edition of Kerima Polotan's The Hand of the Enemy, which is the copy I read way back when I was in grade school; a drawer full of knickknacks that I wanted to save; and a huge transparent sack of junk food, that contained among other things at least twenty little bags of caramel popcorn and one large plastic bottle of "all natural" yet obviously artificially mass-produced orange juice.

It was this last item that got me to thinking -- I suppose hoping, really -- that this recurring dream might not be a premonition of my impending death. In the dream, there was no question that I intended to discard the sack of junk. Perhaps "moving house" is a metaphor for finally transforming my ailment-ridden body into one that's in better shape. After all, I saw my new doctor earlier for the second time in as many weeks and I think she's helping me. The mood of these dreams, though, is so bittersweet-bordering-on-outright-sadness. Which would make sense if they were death dreams. But why regret leaving a crappy house/ body for a better one? But then again I guess we can learn to love -- or at least be dependent on -- anything that's familiar, no matter how shitty it is. The shittiness you know is safer than the great unknown.

Here's hoping the dreams mean something good, anyway.

And Change My Stride

Tricky - Makes me wanna die from A on Vimeo.

I've been meaning to write a list of the things I still want to do before I die (write more books, mainly). But tonight I'm just so tired -- tired of trying, tired of pain, tired of people -- and the idea of going away now is just so appealing. I wouldn't mind nothingness afterwards. I will probably feel differently in the morning. Maybe I'll do that list tomorrow.

Time Might Separate Us Some Day

I watched Hotarubi no Mori e last week. Such a simple and beautiful little story. It kind of ties in with what I've been thinking and feeling lately about mortality and meaning. Of course I suppose one reason we love stories at all is that in their selection of glimpses and moments they achieve an effect, one might call it an antidote, that fights the general sense of pointlessness that grows to pervade our living, the longer we live. (Life is so long, and so fleeting.) 

We have probably forgotten any number of firefly forests that we once knew, lost in the accumulation and discarding of detail. After we die, I imagine a great remembering, perhaps a great ordering of experience: all the little narrative arcs and how they all contribute to a grander one. Or perhaps there's oblivion. I can't know for sure right now. But it's nice to imagine a secret but innocent friendship, an almost-kiss, and a series of summers that changed a life. "...Even still, until then, let's stay together."

It's a Good Life, if You Don't Weaken

Last night, I dreamed that I was leaving.

In the dream, I was folding clothes in my room, the room that looked out on the grassy side-path to the backyard, and the street outside. It was sunny. (I remember once, in the waking world, hearing someone singing as she walked down that street past our house, something from "Cabaret." I clapped from the invisibility of my room and she said thank you, thank you.)

This was my room in UP Campus, where I lived for almost a decade, from 1987 to around 1995. I still dream about it often. I think that might be the place my brain considers home.

This has been a year for departures, mostly sad ones (I suppose unalloyed happy ones are rare). It's been a year of deaths, of friends and acquaintances and famous people. And, of course, my mother.

I often think this might be my year to go, as well. I've been having a number of health problems of late, problems that have slowly built up in the past four years or so (though they are no doubt the result of the past few decades of bad habits). These days, just getting through a day is difficult.

They say we know ahead of time when we're going to die. The week before my mother passed away, a dead friend visited me in a dream. I wrote about it, in a short short story I called "Astrid in the Afterlife." At the time, I secretly believed it was some sort of premonition. I thought I might go in my sleep at some point (I often have difficulty breathing while lying down). It turned out to be a premonition about my mom, I suppose.

I wonder about this new dream. Perhaps it means as little, or as much, as any dream. Perhaps I really am leaving. Packing my things. Saying goodbye to home. It won't be by my hand, as much as I've thought about that. If it happens in my sleep, I'd be very grateful. I'd hate for it to happen in a hospital, or, as Mick said, in an accident or a fire.

It was a good, if a little bittersweet, dream. It's been a good life, so far.

Tricia Gosingtian for Esquire Philippines

So, this video is pretty cute.

Esquire Philippines is off to a great start, or at least the sales figures say. From the attention-grabbing launch to the first three issues packed with great original material (he said immodestly), it's been quite the experience so far. (Best to get the third issue -- cover-dated December -- while you still can, before the next issue replaces it; aside from the cover story on MVP, it's got our massive Best & Brightest section, a year-ender 'best of,' and lots of other stuff, including a feature on Alodia Gosiengfiao by yours truly).

And wait 'til you see what's up for January...

Esquire is Here

I am the Associate Editor of the soon-to-be-launched Philippine edition of Esquire Magazine. We have been working our asses off on this thing and it will be unleashed in early October. It will not have Monica Belucci covered in caviar on the cover, but it will nevertheless be a very, very good magazine. Thank you.

Jay-Z = Batman

The invincible (and frequently hilarious) Chris Sims, on the link between comics and hip-hop. ;)

Look at Jay-Z and Batman [...] Both are identities created by otherwise "normal" men (Shawn Carter and Bruce Wayne, respectively) that allow them to become something bigger than themselves, to accomplish things that normal men couldn't. Admittedly, the accomplishments might not be quite on the same level -- eradicating all crime being a slightly more lofty goal than, say, selling Armadale vodka -- but the point stands that there's a level over-the-top posturing there that's every bit as exaggerated as it is in comics. The only difference is that one has "The World's Greatest Detective" and the other has "The Best Rapper Alive."

Read more here!

One Year Later

So, it's been a while. Over a year, actually, since I last posted here. I've been more active elsewhere online (see "Luis, Elsewhere" on the right). I thought it was time to update this blog, though, especially since it still turns up first when you run a Google search on my name.

Anyway. There have been changes, personal and professional, over the past year or so. The personal changes are quite significant, but I don't want to get into them here. Professionally, things are going well. I am the Executive Editor of the revamped UNO magazine, which if I may be so immodest, consistently showcases some of the best writing on the stands. Am still writing about music, though this time for the Philippine Star -- my column, "Senses Working Overtime," comes out every Friday.

I have a second collection of stories and a second collection of essays in the works, and am editing an anthology of fiction entitled Isolation Remembers What Repetition Forgets.

My hamster passed away but I may get a cat soon.

Waya Saturday

Waya will be performing at SaGuijo this Saturday night, November 7, at 10:30 PM. (They're the first band playing for this installment of the excellent Ninja Kiss production night.)

If you've ever seen them before you know they are one of the best live rock acts in the country. If you've never ever watched them I feel bad for you. *sheds tear* BE THERE!!!

RJ Ledesma is Hanging Around

"There is no end to writers that attempt to write comedy. Many comics are funny, but few are hilarious. Ledesma is, well, hilarious.

"What makes him even more hilarious than most writers of comedy (and there are not, sadly enough, too many of them in the Philippines, at least not as many as the grim-and-determined, anti-feudalist, anti-capitalist, anti-imperialist, anti-Manila, anti-English, anti-Malacañang constipated types) is that he finds even things familiar to us funny.

"Ledesma was my student in creative writing at De La Salle University. In the beginning, he fancied himself an economist, taking up an undergraduate degree in economics. I like to flatter myself by saying that I snatched defeat from the jaws of victory by making him go the route of underpaid, unpaid, unappreciated, unwanted creative writers..."

(From Isagani Cruz's intro for RJ Ledesma's I Do Or I Die -- launching tonight, Thursday, October 22, 6 PM at National Bookstore Glorietta 5. There will be food and drink aplenty. Seeya there!)

Yvette Tan is Waking the Dead

You know where you have to be tomorrow: at the launch of Yvette Tan's first book, the short story collection Waking The Dead. It is a dark, dream-filled delight, with fictions about strange circumstances, bloody bargains and fiendish fates.

The cover and the interior illustrations are by the amazing Andrew Drilon (see more here!).

Yvette's stories have won two Palancas, as well as a couple of nods from the Neil Gaiman-sponsored Graphic/Fiction awards organized by Fully Booked. Her work has been enthusiastically praised by Gaiman himself, as well as local literary luminaries like Gilda Cordero-Fernando.

"Tan’s stories rise like the enchanted river to meet their readers, the words like brackish water suddenly turning clear. Something is awakened in this book, an irresistible trap of terror and talent from Yvette Tan, whose seductively scary stories will make readers glad they acquiesced when offered this fateful bargain: 'Drink, and your eyes will be opened.'" That's from the advanced review that came out in the Inquirer last Monday. Read the rest here!

The launch is this Saturday, August 15, at Powerbooks Megamall, 4 PM. That's tomorrow! See you there.

Words and Shadows: This Year's Philippines Graphic Literary Awards

So, it's been a long long while since I last posted. I've been terribly busy lately -- as I dash off this blog post, I can think of at least a half dozen things I should be doing, instead -- but also, I tend to post more on Twitter and Facebook these days. I guess I enjoy the more immediate -- and yes, somewhat more filtered -- feedback and influence. :)

There are some things that require more than 140 characters and/or a link, though. It was my great pleasure and honor to be one of the judges for this year's Philippines Graphic awards -- renamed the Nick Joaquin Literary Awards in recent years -- along with the illustrious Susan Lara, and of course Graphic literary editor Marra PL. Lanot, who chaired the trio of judges.

Getting a story published in the Graphic marked a definite turning point in my writing career. I was still in high school then, which made the acceptance letter -- with hand-scrawled note from Nick Joaquin, woo hoo! -- doubly mind-blowing. (Later on I would talk with other young writers who had received similar notes upon the acceptance of their first works for the Graphic, and we would get all misty-eyed and crap like that.) And it was always a pleasure to see the illustrations that artist par excellence Jimbo Albano would come up with to accompany my subsequent submissions.

Anyway, there was a big Awards night for the prize-winners, marking the Graphic's 19th anniversary -- and also bestowing honors on The Graphic’s 10 Outstanding Young Leaders, and former Graphic Editor-in-Chief and Palanca Awards Hall of Famer Gregorio Brillantes, who received the first Nick Joaquin Lifetime Achievement Award for "his lifetime of service and achievements as a teacher, journalist and writer of short fiction."

Here's an excerpt from the article by Alma Anonas-Carpio:

"The winners of the Nick Joaquin Awards for Literature were Rosario Cruz-Lucero, who brought home the grand prize of P50,000 for her short story titled “Papa’s Field” published in the August 25, 2008, issue; Erwin F. Castillo, who bagged the second prize of P30,000 for his story “Cape Engaño” which appeared as a two-part story in the Graphic; while the third prize of P20,000 went to Sasha Martinez for her short story “This Fleet of Shadows,” which was published on September 29, 2008."

And here are my comments on the winning stories:

On "Papa's Field" by Rosario Cruz-Lucero:

A long-overdue homecoming, a difference of sensibilities between siblings, the contrast of city and small town: at first glance there is much here that is overly familiar, but as always, it is in the telling that a story takes on its particular power. Each detail is presented with care and sensitivity and surehanded skill; each character comes alive. In the end we are enormously affected by this quiet tale of two sisters, the weight of personal and political history, and the ghosts of dogs and fathers.

On "Cape Engaño" by Erwin F. Castillo:

There is a dark fierce joy at work in this tale of the dead and the dying and the lost. From New Year's revelry to near-death delirium, the author assaults us with vivid imagery, snapshots of a "world unhinged," as the story of Dr. Mikkis Madamba, Regional Representative, and his larger-than-life mother, actress Lumen Madamba, is told. Along the way a young goat is hung from a showerhead and slaughtered, an olfactory comparison is made between Filipino and foreign lovers, and a 13 year-old rock star-worshipping death watcher in boots is hired.

On "This Fleet of Shadows" by Sasha Martinez:

Effortlessly and eloquently captures that early and all-too-brief time in one's life when mothers smell like mornings and every blank surface is a canvas. With colorful charm and a strong subtle sadness, this story depicts and demonstrates the childhood joy of catching words and shadows. Its serene mid-morning stillness reminds us of what we were and what we always end up leaving behind.

The complete article on this year's Nick Joaquin Awards, with all of the judges' comments, is in this week's issue of the Philippines Graphic (cover date July 13, 2009). Congratulations to all the winners! :D